Friday, August 29, 2025
Ohio University Atmospheric Conference 2025
Monday, February 24, 2025
https://www.ouac1804.com/
Come join us for 9 simultaneous wood and soda firings led by our featured artists.
Athens, OH
June 4-11, 2025
Schedule: June 4-11
Arrival and Opening Keynote: Wednesday, June 4
Keynote Speaker: Bryce Brisco
Keynote starts at 6pm
Load: Thursday, June 5
Loading starts at 10am
Firings: Friday-Monday, June 6-9
Demos and Lectures: Monday- Tuesday, June 9-10
Morning Demos: 9am-Noon
James Tingey, Lorna Meaden, and Hayun Surl
Lunch Noon-1pm
Lecture: 1pm-2pm
Monday Lecturer: Antra Sinha
Tuesday Lecturer: Bryce Brisco
Afternoon Demos: 2pm-5pm
Olivia Tani, Ben Eberle, and Ashton Keen
Gallery Reception: Tuesday, June 10
At Cannanville Art Center
Reception starts at 6:30pm
Closing Keynote, Unloading, and Pot Sale: Wednesday, June 11
Keynote Speaker: Lorna Meaden
Keynote starts at 9am
Unloading starts at 10pm
Pot Sale of artists’ work starts at 3pm
Artists, Firing Specialties, Kiln Type, and Firing Dates:
Lorna Meaden: Glaze Soda, Cross Draft Gas, June 5-6
Brad Schwieger: Glaze Soda, Cross Draft Gas, June 5-6
James Tingey: Wood, Tube, June 6- 8
Bryce Brisco: Wood, Catenary Arch, June 6-7
Stuart Gair: Oxidation Cool Soda, Cross Draft Gas, June 7-8
Antra Sinha: Reduction Cool Wood, Train, June 6- 8
Ben Eberle: Wood Soda, Catenary Arch, June 6-7
Ashton Keen: Low Fire Soda, Cross Draft Gas, June 5-6
Hayun Surl: Reduction Cool Soda, Down Draft Gas, June 5-6
Olivia Tani: Reduction Cool Soda, Cross Draft Gas, June 8-9
Sunday, September 23, 2012
First Firing of the Semester
Boni likes to make a point of stacking
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Good morning Athens!
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Getting ready for the second and more successful firing.
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Tuesday, June 28, 2011
Frederick Harris Collection-pt.2
Frederick Harris Ceramic Collection-pt. 1
Thursday, June 9, 2011
Big Cat-Class Firing
Saturday, June 4, 2011
Brisco- Thesis Exhibition Opening
Sunday, May 22, 2011
Wednesday, May 18, 2011
Undergraduate Exhibition-Brian Pierce
My work explores atmospheric firing, especially, our attempt to control the firing given the seemingly unpredictable nature of the process. My intention is to understand, learn and control these processes as best to my abilities to express the qualities of atmospheric firing to impart individual surfaces on the work.
I am firing work that has been placed in cut saggars or tumble stacking the work. By placing work in cut saggars or tumble stacking, I am attempting to control how the atmosphere will affect the surfaces. By doing this, each pot becomes intrinsically connected with the others while remaining individual. Paradoxically the individual is then dependent upon the group. Each pot is then uniquely linked to the choices made in stacking the kiln, cutting the saggars, length of firing, fuel and atmosphere. As a group they form a narrative of how the fire travels through the kiln, while individually they show one specific point and time. Despite the fact that all the variables can be repeated exactly the same they will not yield the same exact results.









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